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For two decades, Rose’s Pawn Shop have evolved their version of modern-day American roots music, an anthemic, bluegrass-inspired sound that encompasses the sweep of rock & roll, the sonics of folk music, and the storytelling of country.
With American Seams, the band’s fifth studio release, Rose’s Pawn Shop celebrate that wide-ranging sound. Recorded during a series of live-in-the-studio performances with producer Eric Corne, it’s a raw, reflective album about stepping into a new stage of life, reflecting upon all the lessons learned and mistakes made along the way. For Givant — a journeyman songwriter who’s weathered the twists and turns of the music industry, unwaveringly dedicating himself to a project that’s earned high marks from Rolling Stone (who called the band’s work “a blast of 21st century pickin’-party music”) and GQ (who praised their “knee-slapping bluegrass-y twang”) — it’s also a chance to look back while still moving forward. “I can see all the water under the bridge now,” he says. “There are some beautiful things and hard things to look back on, but they’ve all brought me to this point.”
“Our music is a patchwork of American styles,” Givant says. “We have country, rock, bluegrass, and folk — all sorts of American musical influences, and they all go into the Rose’s Pawn Shop sound. We liked that visual, which is why we named the record American Seams.”
