















Trapper Schoepp presents
OSBORNE
10% OFF | LIMITED TIME OFFER
SALE ENDS: JULY 20, 2025 11:59PM
“Hello Kelly, goodbye Jack, hello Betty, I’m ‘Back to Black’/We got Soboxone and security/I was in the Osbornes, it was you and me,” sings Trapper Schoepp on his new album titled Osborne, coming fall 2025. After relying on prescription painkillers and other substances for a decade, Trapper checked into the Hazelden Betty Ford rehab center near his birthplace in Minnesota last year. Fittingly, the rock n roller was placed in the ‘Osborne’ unit - a letter off from Ozzy’s surname but appropriated as such to honor the former Hazelden patient.
Channeling Black Sabbath, Suicide and Springsteen, this 11-track record is wildly different than anything Trapper has done. Produced by pop polymath Mike Viola (Andrew Bird, Dawes) and multi-instrumentalist Tyler Chester (Madison Cunningham, Jackson Browne), Trapper feels like he’s finally finding an honest voice in song and spirit.
“Mike encouraged me to lean into the pain and not run from it,” Trapper says. “It felt like I was back in the art therapy room of Hazelen but with Tony Iommi (Black Sabbath) at the wheel.“
As much as the album came from a dark place, Trapper says the creation was a joyful process. He had previously written a country album that he’d intended to record with Viola, but it was scrapped for these more timely songs.
You only get swerve hard for the first time once and Osborne is just that for Trapper. He says, “There’s a shame surrounding addiction and it leads people further into isolation and using. If I can help one person with this album, it feels worth it.”
Ian Moore, Johnny Moeller, & Jesse Dayton present the
TEXAS HEADHUNTERS
Metallic Gold is a Hardcharger Records & Blue Élan Records exclusive pressing, limited to only 300 copies.
Ian Moore, Johnny Moeller, and Jesse Dayton—three of Texas’ fiercest fretmen—join forces at last as Texas Headhunters, a band born from deep roots, old friendships, and a shared reverence for the raw, swaggering spirit of Texas blues. Their self-titled debut isn’t a nostalgia trip. It’s a declaration.
Cut over five days at Willie Nelson’s Pedernales Studio, Texas Headhunters deals 12 tracks of grit, groove, and gut-level truth. No smoke, no mirrors—just seasoned musicians in a room, plugged in and turned up. The chemistry is real. The result is mind blowing. Clifford Antone looms large in the story of Texas Headhunters—the spiritual godfather of the project, and the man who first recognized the fire in each of its members. All three—Johnny, Jesse, and Ian—were among the last generation of young guns taken under his wing.
Texas Headhunters isn’t just a summit of three badasses with guitars. It’s a reclamation. A statement. A reminder that Texas blues, in all its grit and glory, still matters. It’s not retro—it’s revival. And it’s not a tribute—it’s a shot across the bow.
Live from Apogee Studio
NOW AVAILABLE IN BLOOD MOON
LIMITED EDITION, FRESHLY PRESSED, BLUE ÉLAN EXCLUSIVE VINYL
Morgan Myles is a powerhouse vocalist with a remarkable five-octave range, whose talent has captured the attention of millions, amassing over 30 million views across social media, aided by her top 3 finish on the 2022 season of NBC’s The Voice. During her recent Grand Ole Opry debut, Myles received a standing ovation; a testament to her authentic artistry and hard-earned success. A multi-instrumentalist and relentless touring artist, Myles performs over 100 shows a year, garnering recognition from major outlets including Billboard, American Songwriter, and Rolling Stone.
Live at Apogee Studio was recorded and mixed by the legendary Bob Clearmountain at Apogee Studio in Santa Monica, CA. Recorded in one take with no overdubs, Myles explains “In a time where music is so often manufactured, I wanted to deliver something real and honest.”
She continued “performing live has always been where I feel the magic of music the most. There's something so special about feeling the energy of the audience and connecting with each and every one of you in real time. When I'm on stage, it's like every song comes to life in a way that's different from anything else. You can hear the passion in my voice, see it in the way I move, and feel it in every note. With this live album, I wanted to capture that same magic. I wanted you to feel like you're right there with me, experiencing every moment as if we're all in the same room together. The raw emotion, the spontaneity, the connection – it's all there. I hope you feel that when you listen to this album.”
Young Gun Silver Fox presents
Pleasure
All purchases of Pleasure will automatically enter you for a chance to win 1 of 15 free, limited-edition photo prints signed by Shawn & Andy.
Young Gun Silver Fox’s fifth album, Pleasure, sees the West Coast Yacht Rock duo of British singer songwriter Andy Platts and American multi-instrumentalist Shawn Lee continuing to mine their love for the breezy, sunny, roof-down strains of ‘70s California pop-rock-soul, channeling the likes of the Doobie Brothers, Steely Dan, Earth, Wind & Fire, Pablo Cruise, Ned Doheny and others. After four releases with both members laying down ideas in their own studios and emailing files back and forth, this time Shawn traveled to Andy’s studio in Norfolk, England where they wrote and recorded ideas from scratch, with half of the album’s 10 songs coming from these in-person sessions.
With a rapidly growing U.K. and European following, Young Gun Silver Fox are starting to make a mark on these shores, having just concluded their largest U.S. tour to date in 2024, with sold out headlining shows, and dates supporting the Black Pumas both here and across the pond. Other fans of the band include composer Hans Zimmer and ELO’s Jeff Lynne.
For these two musical kindred spirits, the chance to make a new album together allowed them to return to a sacred space. “I always come back to Young Gun Silver Fox like taking a drive to the coast,” said Andy. “I just smell the ocean and the air and it’s like ‘wicked I’m back here again’ and I can just kick back and enjoy it.”
Paul Trudeau presents
Lost Diamond Boy
The 13 tracks on Paul Trudeau's new album, Lost Diamond Boy, offer a musical journey through a tumultuous relationship after his divorce, a roller-coaster ride which brings out both uncertainty and existential doubt, as well as a resolve to move past it.
Music has been part of Paul Trudeau’s DNA since growing up a young prodigy in Cambridge, Massachusetts, where the singer/songwriter/multi-instrumentalist began studying at the prestigious New England Conservatory of Music at 11 and had played in any number of garage-rock bands in the Boston area as a teenager.
The in-demand session player and road warrior has also used whatever spare time he can find to carve out a solo career in between going on the road as a keyboardist for Billy Idol. He has also played with Rick Springfield, Melissa Etheridge, Meredith Brooks and Susanna Hoffs, among countless others. His new album, Lost Diamond Boy, his Blue Elan Records debut and first since 2017’s Shirley Road, shows off his own classic-rock influences, including Elton John, Tom Petty, Neil Young, Cat Stevens, Paul Simon and, of course, the Beatles and the Stones.
Kinky Friedman presents
Poet of Motel 6
Kinky Friedman's final record, Poet of Motel 6 is a moving collection of ten songs about love and loss. Kinky plumbs the depths of love and mortality on his final album. Joined by Texas royalty like Jimmie Dale Gilmore, Rick Trevino, Amy Nelson, Rodney Crowell, and produced by fellow Rolling Thunder Revue alumni David Mansfield, this record truly lays bare the heart of this Texas bard. Poet of Motel 6 marks the final chapter in Kinky Friedman’s extraordinary musical journey. Fans and newcomers alike will discover an album that is as unforgettable as the man who created it.
Janiva Magness presents
Back For Me
Janiva Magness’s 17th album Back For Me is a treasure chest of lesser-known gems by well-known artists (Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson) produced by her longtime collaborator Dave Darling. The album features ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton as they each put their stamps on their respective special guest appearances. Back For Me is a powerhouse set moving from the Chicago-via-Texas churn of “Masterpiece” to the aching gospel-soul-funk of Bill Withers’ “The Same Love That Made Me Laugh”. There’s heartache and heartbreak, but at the same time self-awareness and accountability and the strength and power that comes from that. In other words, it’s the blues.
Cimmaron 615's self-titled album
Cimarron 615
Cimarron 615 is a hall of fame-caliber assemblage, with credits that look like a who's-who of Americana, country and rock history. "We've all been around a long time and done a lot of work -- and a lot of it together," notes drummer Rick Lonow. "There's history here." Where the four musicians intersect is via the famed country-rock band Poco. Lonow and Jack Sundrud were its longtime rhythm section until the band ceased when co-founder Rusty Young died in 2021. Michael Webb played in the band for eight years, while Ronnie Guilbeau co-wrote Poco's 1989 Top 20 single "Call It Love" with Lonow. Webb and Sundrud co-produced Poco’s All Fired Up album in 2013, and Lonow, Webb and Sundrud played on Young's 2017 solo album, Waitin' For the Sun. Cimarron 615 came to be after Young's death, when Blue Elan Records chief Kirk Pasich organized a tribute concert and album and brought Sundrud, Webb and Lonow together in Los Angeles as part of a house band for several projects - and heard the potential for more. Guilbeau rounded out the line-up in 2023.
"To me, personally, California country-rock is an actual genre. Rusty used to say it was rock musicians playing country instruments," says Lonow. "And the (vocal) harmonies are always a big part of it. That's the common thread with all of us -- it gives you country music, rock music and vocal harmonies all in one package. That's our DNA."
It's certainly an apt description of the 12 original tracks on CIMARRON 615, an album that finds the quartet fully forged as a band. "After doing that (first album) it's a different palette now," Lonow explains. "I think it rocks a little harder. I think the band is streamlined. We have more of an identity now." Sundrud concurs that, "We've been working a lot, and I think it's really solidified as a band with the four of us. It really is a good fit."
Soul Asylum presents
Slowly But Shirley
Since the ’80s, Soul Asylum have been a group known for their raucous but emphatic combination of punk energy, guitar-fueled firepower, and songs that range from aggressive to heartfelt. All of these things are present in spades on the Minneapolis band’s gloriously, joyously loose 13th studio album, Slowly But Shirley. For Slowly But Shirley, it also helped that Soul Asylum turned to a familiar name for production: Steve Jordan, who had also produced the band’s 1990 effort And the Horse They Rode In On. Back when they first worked together, the members of Soul Asylum were still figuring out how best to capture their sound in the studio—and Jordan’s approach of having the band play live together in one room was ideal. “He taught us a language of players playing music in the studio,” Pirner says. “Which we were not at the time. We still didn't really understand what you were supposed to do in what order.” Decades later, both parties are in different places. Jordan is currently the drummer for the Rolling Stones, and Soul Asylum remains one of the most inspiring and hardworking bands in the rock scene, having broken through commercially with the double-platinum 1992 album Grave Dancers Union.
From Aaron Lee Tasjan
Stellar Evolution
Singer, songwriter, guitarist, producer, band leader, activist, and Grammy nominee. Aaron Lee Tasjan has been and continues to be all of these things.
Tasjan has released four excellent and critically acclaimed solo albums, toured the world over on his own and as the guitarist in the New York Dolls. He co-founded and co-wrote all of the material for the band Semi Precious Weapons. In 2021 he was nominated for a Grammy for his writing on Yola’s “Diamond Studded Shoes” and most recently, Tasjan produced Mya Byrne's album Rhinestone Tomboy (Kill Rock Stars Nashville) which helped to establish her as one of the first openly trans artists in Americana Music.
The upcoming record, Stellar Evolution is a record on which Tasjan’s songwriting is beholden to nothing — no expectations, and certainly no genre. Just the pure sense of wonder and discovery that had made him fall in love with music as a kid in Orange County, devouring it all with no understanding or care for what was “cool.”
As he was writing, times became very dark for the queer community in the South. Bathroom bans and drag bans were enacted in Tennessee, while right-wing rhetoric around LGBT people became uglier and uglier. Tasjan knew this album needed to reflect the vibrant community that has become home to him.
From synth thrill rides like “Alien Space Queen” and the lead single, “Horror Of It All,” to other album highlights including the woozy “The Drugs Did Me” and the balladic “Dylan Shades,” these songs are sonic and personal evolutions. For Tasjan, they track his sonic shifts and share personal moments of overcoming challenges and embracing change; for the world, they are universal in appeal and inclusive in intention. Stellar Evolution celebrates love, claims space and shines bright.
From Chris Shiflett
Lost At Sea
Punk veteran. Rock & Roll Hall of Fame inductee. Americana and rock songwriter. Modern-day guitar hero. For more than 25 years, Chris Shiflett has blurred the lines between genre and generation, balancing his full-band projects with a thriving solo career.
His latest record, Lost at Sea, builds a bridge between the honky-tonk saloon and the punk-rock dive bar. Eclectic and electric, it's a genre-bending country album that reaches far beyond the format's boundaries, making room for roots-rock anthems, guitar-slinging swagger, and the sharpest songwriting of his career. A California native, Shiflett recorded Lost at Sea with producer Jaren Johnston (The Cadillac Three), collaborating with many Music City heavyweights along the way. The result is a record that's every bit as diverse as his own resumé.
Named "Americana's biggest rockstar" by Rolling Stone, Shiflett has played a crucial role in shaping the sound and scope of modern-day rock music as a longtime member of the Foo Fighters. He's also an alum of California-based punk rock bands No Use For a Name and Me First and the Gimme Gimmes. Lost at Sea refocuses his attention on a mix of country twang and rock & roll bang, showcasing the full range of Shiflett's abilities.
KT Tunstall presents
NUT
Grammy-nominated Scottish Musician KT Tunstall’s new album, NUT, completes a trilogy of albums that started in 2016, and represents the mind. Produced by Martin Terefe, NUT draws on Tunstall’s love of percussive West African grooves as a metaphor for the learning patterns of the mind. It is an eclectic album that seamlessly weaves together disparate styles while showcasing KT’s singular knack for balancing introspective folk and propulsive rock.
*BER Exclusive pressing of NUT in Cotton Candy
*Autographed Giclee Art Print, limited to 200 signed copies while supplies last!
From Eric Johnson
The Book of Making / Yesterday Meets Today
During the pandemic, some people baked, others indulged in TV binge-watching. Eric Johnson emerged with two albums–The Book of Making and Yesterday Meets Today—featuring nine songs on each LP. The Grammy-winning, multi-genre guitarist took inventory—both emotionally and musically—delving into the many unfinished tracks, outtakes, demos, and sonic ideas in his archive to compile the 18 songs that ultimately ended up on the albums.
The Devlins present
All The Days
IRELAND ORDERS: CD or Vinyl can be purchased on the Golden Discs websitehere.
All The Days marks the long-awaited return of The Devlins, one of Ireland’s best loved rock bands. Across 11 new tracks, Grammy Winning Producer Rob Kirwan (Hozier, PJ Harvey, Depeche Mode) helms the solid rhythms and intricate songwriting of The Devlins classic lineup, evoking a fresh sound from a modern rock band who captured a worldwide audience with its cinematic hits and magnetic live performances.
Gerry Beckley presents
Gerry Beckley
LIMITED EDITION CRYSTAL CLEAR VINYL — ONLY 500 COPIES MADE
Gerry Beckley says there was a pragmatic reason for putting his own name as the title for his 10th solo album. "There wasn't an obvious title that was leaning in its favor, and I've never done a self-titled album, so it felt like, OK, this might be it," he says with a small chuckle. True to form, Gerry Beckley the album contains 12 outstanding tracks including first single “Crazy,” the most self professed auto-biographical song in “Well Worn Shoes,” and the soulful “Red and Blue” which leaves no mystery as to its subject matter. Produced, arranged, engineered and mixed all by Gerry along with his good buddy Jeff Larson, Gerry also plays the bulk of the instruments on the album. "I tend to do things in layers," says Beckley. He cites influences such as Tom Petty's “Wildflowers" and, more recently, The 1975. "I've been kind of dipping back into the Wall of Sound stuff and using more echoes and just making it bigger. It might not sound like that at first, but if you were to put some headphones on and listen you start to notice little things that make the songs work." And he adds that the chemistry he and Larson share cannot be overstated. Gerry Beckley continues a musical path that's now in its seventh decade and, in Beckley's mind, a continuing conversation between a songwriter and his audience.
Kirk Pasich Project presents
Radio: Alone In The Night
Radio: Alone in the Night is the debut album from Blue Élan cofounder Kirk Pasich's latest endeavour- the Kirk Pasich Project. Acting as the visionary & creative director, Kirk enlisted the help of several musical cohorts to bring his vision to life, with a cast that includes Dave Darling, Camilla Darling, Zach Ross, Ginny Luke, Bryan Stephens, Scout Durwood, Bernie Barlow, Scott Terry, and Holly Montgomery. Radio: Alone in the Night is a tale of two modern-day minstrels who have traveled their separate ways over the years, only to end up one night back where it all began and ended, where each chose their own musical journey over their one true love. For one night, they are in that city, with separate gigs in separate places, not knowing the other is there. Perhaps there’s something in the air, or maybe it’s just a feeling that’s hard to explain. But, as the night passes, they each find themselves wondering, wishing, hoping, forgetting , and forgiving. Yes, the story starts right where it began and ended, all those years ago.
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